Tag Archives: Violet Lemay illustration

Promoting 100 PABLO PICASSOS, part 1

11 Feb

Over the summer I worked very hard illustrating a new book duopress book, written by Mauricio Velázquez de León: 100 Pablo Picassos.

100 Pablo Picassos is a 32-page children’s picture book, every square inch of which is crammed with full-bleeding spreads as well as tons of spot illustrations.

100PP studio im progressI got to draw Picasso doing everything from painting and sculpting masterworks to doodling on a sketch pad in the bath.

After the release date, I’ll write a nice long post about how we made the book, which is the brainchild of the author Mauricio Velázquez de León.

It is February as I’m writing this post, three months before the official release date of 100 Pablo Picassos; however, hard copies are already available for pre-order and will actually materialize everywhere books are sold in April, and the e-Book versions are good to go now. As a contributor, it’s time for me to start making some noise!

Making Some Noise

Thanks to my former life as a professor of self promotion, there is a small part of my brain that is always clicking away, trying to come up with innovative ways to publicize whatever project has been holding my attention. The obvious first step is always social media, because it is easy and free.

Use Existing Art

minotaur sculpturePerhaps most obvious way for an illustrator to promote her upcoming book is to generate interest by sharing the art that she’s already created for the project on Facebook, Twitter, Instagram and etc. I’ve been taking advantage of the plethora of illustrations that we created for 100 Pablo Picassos, posting little bits of it daily—along with interesting photos and facts of Picasso’s history acquired from the internet—on my Violet Lemay Illustration Facebook fan page. I’ve been pacing myself, “leaking” the art slowly, a task made easier for 100 Pablo Picassos because it contains many, many spot illustrations; however, the same approach can be applied to a book whose every page is covered with full-bleeding two-page spreads. The artist of such a book could tease her audience and draw out the promotion process by posting close-up detail shots from each spread, leading up to the big moment when she posts the whole image in its entirety.

Make New Art

One advantage that book illustrators have over authors in the area of promotion is that, for any given project, we can create as many additional visuals as time and interest allow. As you can imagine, immersing oneself in the history of Pablo Picasso, one of the world’s most colorful and prolific artists, was both humbling and inspirational. Picasso’s life and his work drew me in as an artist, inspiring a bevy of personal work aimed at promoting the book.

Portraits of Friends

First, I dabbled in acrylics creating Picasso-esque portraits of friends and family members for some upcoming gallery exhibitions.

MargeauxThis was so much fun, and was one of those roads down which I had to walk—it was either that, or die. You artists know what I mean. Some inspirations tickle a little and make you twitch; others come at you with a whip.

I will write about those portraits and the gallery shows in greater detail later this spring as the dates get closer. Or perhaps after, so I’ll have photos to share. Let’s wait and see.

Portraits of Picasso’s Ladies

More recently, spurred on by the approach of Valentine’s Day, I’ve been working on a series of small, quickly-done watercolor portraits of Picasso’s many love interests.

Even a tiny bit of digging into Picasso’s romantic life produces results that can only be described as spectacular. Because 100 Pablo Picassos is a book for children, the author handled the entire topic with grace, tact, and an absolute minimum of words.

100PP_rosesWe show only one of Picasso’s many lady friends in 100 Pablo Picassos, so I had only one existing painting on the topic to share for Valentine’s Day (above), which features Picasso’s first girlfriend/muse, Fernande Olivier.

Knowing the truth about Picasso’s romantic life as I do now—so many women, all who had an impact on his art in a profound way—the idea of posting only a single image on the topic seemed underwhelming. I could have devoted my daily facebook posts to photos of all of his varied wives and paramours, but I am an illustrator after all. Instead, I decided to paint them—quickly this time, and much smaller that my previous Picasso-inspired portraits.

The result is a new and ever-growing series, including this watercolor portrait of Eva Gouel.

eva

I will be posting my portraits along with interesting photos and facts about these lovely ladies (including Bridgitte Bardot, the object of a Picasso crush!) on my Violet Lemay Illustration Facebook fan page, as well as on Twitter, Tumblr, and Pinterest—all for the cause of promoting the upcoming release of 100 Pablo Picassos. I would love it if you’d follow along.

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Mme P coverIf all of this has piqued your curiosity about the women in Picasso’s life, you may enjoy reading Madame Picasso by Anne Girard (Harlequin MIRA, 2014). Madame Picasso, a novel (historic fiction), tells the story of Eva Gouel; it’s a fascinating read that slows down a few years in the life of this great man, whose timeline is regularly assessed in large spans. Click here for more details.

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100PP outlined cover*

To order 100 Pablo Picassos, click here.

Vine Animation

19 Mar

ISS_top of shoe

Meet 8-year-old Isabella Ivory Edelston-Finch, the star of Isabella’s Shoe Studio.

ISS_Cover_forweb*

Isabella’s Shoe Studio is a Doodle Storybook™ book that I wrote and illustrated with the help of my friends at duopress in 2013. To help promote the book, I’ve pursued every creative idea that’s popped into my head.

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Felt Dolls

First, I made felt Isabella dolls. We featured them as prizes for social-media-driven photo contests, and gave them starring roles in travel-based slide shows. This photo was taken by fan Christa Bellock of Elgin, Illinois, who won a felt Isabella in a Facebook contest. (Click here to follow Isabella on Facebook.)

1902717_10151994133532196_935633935_nPaper Dolls

Then, I designed paper dolls for promo events. The photo on the left was taken at aMuse Toys in Baltimore.

Seeing all of the cool ways that kids were adding color to the paper dolls gave me a new promo idea: Vine stop-motion animation!

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. . . . . V i n e . . . . .

Vine is a mobile ap/social site owned by Twitter that features 6.5 second videos. To create vines, you have to load the Vine ap onto your phone (no video cameras!) and set up an account, which is very, very basic. Once the ap is loaded and running all you do is click the video icon to get started. Touch the screen to record. As long as you hold your finger on the screen, you are capturing video.

The trick with Vine is logistics. I found it next to impossible to hold the phone, touch the screen and arrange my chosen shot, all at the same time. In order to make frame-by-frame animation, I needed a device to hold the phone for me. I ended up buying Joby’s gorillapod flexible tripod.

vine studio

After coloring a bunch of dresses, attaching the tripod to a stepladder and taping my Isabella paper doll to the shooting surface to keep her from moving, the rest was easy. I recorded her for a few clicks, changed her dress, recorded some more, and so on.

paperdoll vine screenshot

First Attempt: Isabella Paper Doll Vine

Click the image to the right to watch the resulting vine. If you’re unable to view it, create a vine account following the steps above— it’s easy!

While you’re working on your vine, a progress bar on your phone’s screen shows you how many seconds you’ve recorded, so it’s easy to gauge your progress.

The paper doll animation is adorable but we felt it didn’t showcase the true nature of Isabella, or the intention of Isabella’s Shoe Studio—which isn’t really a “fahsion-y” kind of book.

New Concept: Isabella and the Sneaker

After flipping through a copy of Isabella’s Shoe Studio for inspiration, I decided to attempt a more elaborate stop-motion animation in which Isabella actually moves, and interacts with a shoe illustration in the book.ISS_highTop

The high-top sneaker on these pages spoke to me. The text on that page says, “What inspires you today? Draw it on this sneaker.” I saw Isabella popping out the top of the sneaker with a pencil. Isabella would touch the blank surface of the shoe with the pencil, and the shoe would proceed to decorate itself as she slid down the side of the high-top. That was my basic idea, which became slightly more elaborate as I got to work on making the vine.

How-To Guide: Frame-by-Frame Animation

20140319_155308To begin figuring out how to shoot the vine, I made a frame-by-frame storyboard. The storyboard became my go-to reference throughout the entire process.

After watching some incredible animated vines by Pinot and Ian Padgham (see links at the bottom of this post) and counting the clicks, I figured I’d need between 20-30 frames. Because a page from an open copy of Isabella’s Shoe Studio would be the “stage” for this animation, I made 3o grayed-out prints of the page from the book—approximately one page for every frame.

20140319_155953Then, using a light table, I penciled Isabella onto every sheet making her interact with the shoe—old-school animation style.

In addition to animating Isabella I knew I’d have to color the shoe as I went, which meant drawing in a copy of Isabella’s Shoe Studio. I didn’t want to use more than one copy of the book for this project, so I couldn’t draw Isabella directly onto the open book.  Instead, I used the light table again to ink the drawings onto clean printer paper. Then I cut them out and lined them up on my work surface. I quickly shaded her jeans with an Ebony pencil and used a pink crayon stick to blush her cheeks.

Once all of the little Isabella’s were cut, colored and arranged, I stuck some bright orange notes among the cut-outs to keep myself on track time-wise as I shot the vine, and to keep the cut-outs organized and true to their corresponding frames on the storyboard.

isabella cutouts 1

Besides Isabella and the shoe, the third element in the animation was the pencil. My idea had it popping out the top of a 2-D drawing of a shoe, so it had to be flat, not a real pencil. To make the pencil I photographed an actual duopress pencil, adjusted the photo in Photoshop, printed 12 copies on a single sheet of card stock, and cut them out. Voila: pencil!

isabella cutouts 3

The last step (and quickest, by far!) was to shoot the vine. With the book propped up on my trusty Ikea bookshelf, an area that is well-lit by both the sun and overhead electric light, I used double-sided tape to attach each cut-out to the page, one at a time. Between each shot I added a bit more color and design to the shoe—because, after all, Isabella’s Shoe Studio is a book that invites you to design and decorate shoes! The photo above shows the “stage” after shooting…. with the shoe fully illustrated, and little Isabella’s everywhere.

sneaker vine image

The resulting vine is adorable. To watch Isabella slide down a sneaker, click the image on the right.

Once you’re on Vine, follow me, and I’ll follow you!

Inspirations/Extra Help

Pinot on Vine

Ian Padgham on Vine

Tips from Nick Summers

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To order Isabella’s Shoe Studio, click here.

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To view my second vine (Isabella and the Sneaker) on youtube, click here. I used iSkysoft to download the vine and covert it to a .avi file, which I was then able to upload at Youtube. The version of iSkysoft that I use is not free, but is very useful for downloading various forms of moving images—including Picasa slideshows.