Archive | social media RSS feed for this section

The 500 Section Lounge Podcast

4 May

Hi, Everybody!

Yesterday, I was a guest on The 500 Section Lounge Podcast.

The 500 Section Lounge is a fun show, fresh and entertaining. The hosts—three dads who’ve been friends since high school—talk a lot of sports, so you may be thinking one of two things:

1) I want to hear three dads talk about sports and interview lots of cool sports personalities!

If that’s you, no worries, settle down. All you have to do is click here, or use your Google machine. There are many ways to listen and subscribe.

2) What’s a children’s book illustrator doing on a podcast hosted by three dads?

Well, let me tell you. The 500 Section Lounge podcast isn’t just cool, it’s super cool. There is something for everyone. Sam, Matt, and Richey talk to all kinds of people. In my favorite episode, they interview a beekeeper! Check it out, and make sure you subscribe.

The guys asked me all about what it’s like to write and illustrate books for kids. They were completely gracious, their questions were insightful, and the experience was overwhelmingly positive. The only thing missing was pizza and beer. Or White Castle. (This is an inside joke… gotta listen to get it!)

I forgot to take a screenshot, so this illustration will have to do. :o)

Click here to listen on Spotify… or just Google the show. There are tons of ways to hear it.

Getting Social

26 May

On May 18th, I had the pleasure of joining the amazing Laura Backes Bard, the founder of Children’s Book Insider, for a live Zoom chat focusing on board books.

Click here to watch the replay on CBI’s YouTube channel. Considering that this was my first live interview, I think it went pretty well. Whew!

An Unexpected Cover Reveal

While prepping the day before the interview, I discovered that HarperCollins had revealed the cover of my latest board book, Let’s Be Friends, several weeks earlier than I was expecting. How perfect! I was able to share the cover during the interview.

Board Books

If given a do over, I would spend a few minutes gushing over little ones and their caregivers, all of whom have my heart. Board books, after all, are at the center of the sacred ritual of reading to babies and toddlers. When I was a young mother, I took every opportunity to snuggle with my baby and a book. Libraries and bookstores were our regular haunts. At night, when my son begged me to keep reading past his bedtime, I usually indulged him. Childhood is fleeting, after all. In hindsight, I know I made the right choice, despite the brain cells that I certainly lost to lack of sleep. :o)

Human babies are only tiny for an instant—their growing up is as swift as the beat of a hummingbird’s wing.

Kelly Barnhill, The Girl Who Drank the Moon

Board books give authors and illustrators opportunities to share in all of that good stuff. What a gift.

This CBI interview made me realize that board books are a sweet spot for me. I absolutely adore babies, and two-thirds of my writing credits are board books, but before this interview, I had never considered that I had a specialty. As I learn to write for older kids, it’s comforting to think of board books as home.

My friend Michelle and her daughter Sophia, enjoying “Healthy, Healthy, Love, Love, Love.”

Dreaming of Writing for Children?

Laura Backes and her husband Jon Bard have spent decades collecting helpful information for children’s book writers. If you want to get into the business of children’s books, explore Write4Kids.org and Children’s Book Insider.

CBI’s YouTube channel is a great place to start! There are tons of topics from which to choose. I’ve listened to every interview, and have learned from all of them.

Write4Kids.org is chock full of helpful info, too. While you’re there, sign up for the CBI newsletter, which is amazing! Priceless content, for the price of a cup of coffee.

If you’re looking for a class, CBI has got you covered. Their Writing Blueprints are revolutionary self-paced online courses tailored to various genres, at a very reasonable rate. I’m about to begin my own journey with one of these blueprints, and will keep you posted!

Meanwhile, if you have any questions about board books, give a shout!

Here are my two most recent board books. :o)

Click here to order Healthy, Healthy, Love, Love, Love

Click here to pre-order Let’s Be Friends (available everywhere on Dec 1, and in stores on Dec 14)

Studio Time

1 Apr

Office Space

Inspired by internet photos of awesome-looking illustration studios and cozy, inviting writing nooks, I once went to a lot of trouble to decorate my studio. A few months after every last detail was perfected, my husband got a new job out of state.

One of the only photos I have of my sweet little studio in Savannah, GA (circa 2012).

We sold the house, packed up my studio along with everything else, and moved north. The new home office was nice enough—same furniture (slightly banged up from the move), same colors—but was definitely not as precise and perfect. Not long after that, my husband began taking international gigs. We sold a bunch of stuff and put everything else in a POD, not knowing what the future would hold. Ultimately we became globe hoppers, never staying in one place for very long.

LEFT: One of my New Zealand work spaces. Had to hang a hoodie on the desk lamp to protect my eyes from the sun. RIGHT: Zooming into a midwestern classroom from the office space in our apartment in China.

While I have fond memories of the perfect little studio space that I decorated all of those years ago—especially my books, which are still in storage in the US—I’ve gotten used to working at any available table-like surface, preferably with a comfortable chair and a solid wifi signal.

Quiet Times

In late October 2020, my husband and I moved to Malaysia for his new position at the international boarding school where we now live. We were given keys to a lovely small apartment in the residence building, and a set of auxiliary rooms across the hall.

In the mornings I’ve been taking an on-line class, working on new book ideas, and writing. When I’m thinking, writing, trying to catch illusive flutters of creativity, I need silence. As in, please don’t drop any pins.

Stay-at-home orders had my noisy husband, whom I adore, working from home. Constant loud classic rock and Jets news (egad!) filled the place. God help me. To preserve my sanity, I had to get out of there. Luckily we had keys to those auxiliary rooms!

Bare-boned, but blissfully quiet. We moved my work table across the hall.

Working on my latest book (HarperColins/Spring 2022) in my lovely new work space.

Turn Up the Volume

When I’m illustrating final art for a book and most of the important decisions have already been made, I do listen to stuff while I work: music, TED talks, audiobooks, podcasts. Illustrating an entire book takes some serious time, so there are many silent hours to fill. I once binge-listened the entire canon of Gilmore Girls (153 hour-long episodes) when working toward multiple simultaneous deadlines, followed by one and a half traces through all 279 episodes of The Big Bang Theory. No joke.

Note that I could actually cohabit with my fella and his playlists—and even the NY Jets—during this phase of the illustration process, and often do, but now that I have a space across the hall, that’s where you’ll find me. Fred is back to work in his own office and our apartment is empty during the day, but I’ve grown to love this white box with it’s powerful ceiling fan and… well, that’s pretty much it! Just me in an otherwise empty, completely unadorned room.

For Your Listening Pleasure… and Professional Edification

Now that I’ve exhausted my Netflix favorites, podcasts have become my listening preference. Conan O’Brien Needs a Friend and Office Ladies are perpetual favorites. Funny, insightful, heartwarming, inspirational. Great stuff.

Recently, though, I made an important discovery: Children’s Book Insider‘s KidLit Distancing Socials!

Photo of the first CBI Kidlit Distancing Social that I was able to join live, after listening to most of the recorded sessions via Youtube. My Photoshop file at the top of the screen is blurred because it’s much too soon to share the art I was working on that day, which is for the same upcoming book referenced above.

These weekly socials (recordings of Zoom calls, basically) feature amazing interviews with all sorts of kidlit professionals. I’ve learned so much from these videos! They easily get five stars from me; I highly recommend CBI’s Kidlit Distancing Socials to anyone who is interested in writing books for children—from absolute beginners to highly published pros. You can join live via Zoom or catch the replays on YouTube. In the first few minutes of every episode, you’ll learn everything you need to know to get connected to Children’s Book Insider and their website WriteForKids.org, which is an amazing resource. Drumroll: newsletters are involved—newsletters!—and they are jam packed with seriously incredible content.

CBI’s Kidlit Distancing Socials have broadened my horizons, which was a delightful surprise. Who knew such treasures were available on Youtube?


Click here to be redirected to Children’s Book Insider, and/or click here for CBI’s Youtube channel where you’ll find replays all of their wonderful, informative Kidlit Distancing Socials.

And You?

Do you need silence when you work? If not, what are your listening preferences? Let me know in the comments section below.

Happy creating!!

Vine Animation

19 Mar

ISS_top of shoe

Meet 8-year-old Isabella Ivory Edelston-Finch, the star of Isabella’s Shoe Studio.

ISS_Cover_forweb*

Isabella’s Shoe Studio is a Doodle Storybook™ book that I wrote and illustrated with the help of my friends at duopress in 2013. To help promote the book, I’ve pursued every creative idea that’s popped into my head.

564431_10201841382029097_1486657232_n

Felt Dolls

First, I made felt Isabella dolls. We featured them as prizes for social-media-driven photo contests, and gave them starring roles in travel-based slide shows. This photo was taken by fan Christa Bellock of Elgin, Illinois, who won a felt Isabella in a Facebook contest. (Click here to follow Isabella on Facebook.)

1902717_10151994133532196_935633935_nPaper Dolls

Then, I designed paper dolls for promo events. The photo on the left was taken at aMuse Toys in Baltimore.

Seeing all of the cool ways that kids were adding color to the paper dolls gave me a new promo idea: Vine stop-motion animation!

*

. . . . . V i n e . . . . .

Vine is a mobile ap/social site owned by Twitter that features 6.5 second videos. To create vines, you have to load the Vine ap onto your phone (no video cameras!) and set up an account, which is very, very basic. Once the ap is loaded and running all you do is click the video icon to get started. Touch the screen to record. As long as you hold your finger on the screen, you are capturing video.

The trick with Vine is logistics. I found it next to impossible to hold the phone, touch the screen and arrange my chosen shot, all at the same time. In order to make frame-by-frame animation, I needed a device to hold the phone for me. I ended up buying Joby’s gorillapod flexible tripod.

vine studio

After coloring a bunch of dresses, attaching the tripod to a stepladder and taping my Isabella paper doll to the shooting surface to keep her from moving, the rest was easy. I recorded her for a few clicks, changed her dress, recorded some more, and so on.

paperdoll vine screenshot

First Attempt: Isabella Paper Doll Vine

Click the image to the right to watch the resulting vine. If you’re unable to view it, create a vine account following the steps above— it’s easy!

While you’re working on your vine, a progress bar on your phone’s screen shows you how many seconds you’ve recorded, so it’s easy to gauge your progress.

The paper doll animation is adorable but we felt it didn’t showcase the true nature of Isabella, or the intention of Isabella’s Shoe Studio—which isn’t really a “fahsion-y” kind of book.

New Concept: Isabella and the Sneaker

After flipping through a copy of Isabella’s Shoe Studio for inspiration, I decided to attempt a more elaborate stop-motion animation in which Isabella actually moves, and interacts with a shoe illustration in the book.ISS_highTop

The high-top sneaker on these pages spoke to me. The text on that page says, “What inspires you today? Draw it on this sneaker.” I saw Isabella popping out the top of the sneaker with a pencil. Isabella would touch the blank surface of the shoe with the pencil, and the shoe would proceed to decorate itself as she slid down the side of the high-top. That was my basic idea, which became slightly more elaborate as I got to work on making the vine.

How-To Guide: Frame-by-Frame Animation

20140319_155308To begin figuring out how to shoot the vine, I made a frame-by-frame storyboard. The storyboard became my go-to reference throughout the entire process.

After watching some incredible animated vines by Pinot and Ian Padgham (see links at the bottom of this post) and counting the clicks, I figured I’d need between 20-30 frames. Because a page from an open copy of Isabella’s Shoe Studio would be the “stage” for this animation, I made 3o grayed-out prints of the page from the book—approximately one page for every frame.

20140319_155953Then, using a light table, I penciled Isabella onto every sheet making her interact with the shoe—old-school animation style.

In addition to animating Isabella I knew I’d have to color the shoe as I went, which meant drawing in a copy of Isabella’s Shoe Studio. I didn’t want to use more than one copy of the book for this project, so I couldn’t draw Isabella directly onto the open book.  Instead, I used the light table again to ink the drawings onto clean printer paper. Then I cut them out and lined them up on my work surface. I quickly shaded her jeans with an Ebony pencil and used a pink crayon stick to blush her cheeks.

Once all of the little Isabella’s were cut, colored and arranged, I stuck some bright orange notes among the cut-outs to keep myself on track time-wise as I shot the vine, and to keep the cut-outs organized and true to their corresponding frames on the storyboard.

isabella cutouts 1

Besides Isabella and the shoe, the third element in the animation was the pencil. My idea had it popping out the top of a 2-D drawing of a shoe, so it had to be flat, not a real pencil. To make the pencil I photographed an actual duopress pencil, adjusted the photo in Photoshop, printed 12 copies on a single sheet of card stock, and cut them out. Voila: pencil!

isabella cutouts 3

The last step (and quickest, by far!) was to shoot the vine. With the book propped up on my trusty Ikea bookshelf, an area that is well-lit by both the sun and overhead electric light, I used double-sided tape to attach each cut-out to the page, one at a time. Between each shot I added a bit more color and design to the shoe—because, after all, Isabella’s Shoe Studio is a book that invites you to design and decorate shoes! The photo above shows the “stage” after shooting…. with the shoe fully illustrated, and little Isabella’s everywhere.

sneaker vine image

The resulting vine is adorable. To watch Isabella slide down a sneaker, click the image on the right.

Once you’re on Vine, follow me, and I’ll follow you!

Inspirations/Extra Help

Pinot on Vine

Ian Padgham on Vine

Tips from Nick Summers

____________________

To order Isabella’s Shoe Studio, click here.

____________________

To view my second vine (Isabella and the Sneaker) on youtube, click here. I used iSkysoft to download the vine and covert it to a .avi file, which I was then able to upload at Youtube. The version of iSkysoft that I use is not free, but is very useful for downloading various forms of moving images—including Picasa slideshows.