Studio Time

1 Apr

Office Space

Inspired by internet photos of awesome-looking illustration studios and cozy, inviting writing nooks, I once went to a lot of trouble to decorate my studio. A few months after every last detail was perfected, my husband got a new job out of state.

One of the only photos I have of my sweet little studio in Savannah, GA (circa 2012).

We sold the house, packed up my studio along with everything else, and moved north. The new home office was nice enough—same furniture (slightly banged up from the move), same colors—but was definitely not as precise and perfect. Not long after that, my husband began taking international gigs. We sold a bunch of stuff and put everything else in a POD, not knowing what the future would hold. Ultimately we became globe hoppers, never staying in one place for very long.

LEFT: One of my New Zealand work spaces. Had to hang a hoodie on the desk lamp to protect my eyes from the sun. RIGHT: Zooming into a midwestern classroom from the office space in our apartment in China.

While I have fond memories of the perfect little studio space that I decorated all of those years ago—especially my books, which are still in storage in the US—I’ve gotten used to working at any available table-like surface, preferably with a comfortable chair and a solid wifi signal.

Quiet Times

In late October 2020, my husband and I moved to Malaysia for his new position at the international boarding school where we now live. We were given keys to a lovely small apartment in the residence building, and a set of auxiliary rooms across the hall.

In the mornings I’ve been taking an on-line class, working on new book ideas, and writing. When I’m thinking, writing, trying to catch illusive flutters of creativity, I need silence. As in, please don’t drop any pins.

Stay-at-home orders had my noisy husband, whom I adore, working from home. Constant loud classic rock and Jets news (egad!) filled the place. God help me. To preserve my sanity, I had to get out of there. Luckily we had keys to those auxiliary rooms!

Bare-boned, but blissfully quiet. We moved my work table across the hall.

Working on my latest book (HarperColins/Spring 2022) in my lovely new work space.

Turn Up the Volume

When I’m illustrating final art for a book and most of the important decisions have already been made, I do listen to stuff while I work: music, TED talks, audiobooks, podcasts. Illustrating an entire book takes some serious time, so there are many silent hours to fill. I once binge-listened the entire canon of Gilmore Girls (153 hour-long episodes) when working toward multiple simultaneous deadlines, followed by one and a half traces through all 279 episodes of The Big Bang Theory. No joke.

Note that I could actually cohabit with my fella and his playlists—and even the NY Jets—during this phase of the illustration process, and often do, but now that I have a space across the hall, that’s where you’ll find me. Fred is back to work in his own office and our apartment is empty during the day, but I’ve grown to love this white box with it’s powerful ceiling fan and… well, that’s pretty much it! Just me in an otherwise empty, completely unadorned room.

For Your Listening Pleasure… and Professional Edification

Now that I’ve exhausted my Netflix favorites, podcasts have become my listening preference. Conan O’Brien Needs a Friend and Office Ladies are perpetual favorites. Funny, insightful, heartwarming, inspirational. Great stuff.

Recently, though, I made an important discovery: Children’s Book Insider‘s KidLit Distancing Socials!

Photo of the first CBI Kidlit Distancing Social that I was able to join live, after listening to most of the recorded sessions via Youtube. My Photoshop file at the top of the screen is blurred because it’s much too soon to share the art I was working on that day, which is for the same upcoming book referenced above.

These weekly socials (recordings of Zoom calls, basically) feature amazing interviews with all sorts of kidlit professionals. I’ve learned so much from these videos! They easily get five stars from me; I highly recommend CBI’s Kidlit Distancing Socials to anyone who is interested in writing books for children—from absolute beginners to highly published pros. You can join live via Zoom or catch the replays on YouTube. In the first few minutes of every episode, you’ll learn everything you need to know to get connected to Children’s Book Insider and their website WriteForKids.org, which is an amazing resource. Drumroll: newsletters are involved—newsletters!—and they are jam packed with seriously incredible content.

CBI’s Kidlit Distancing Socials have broadened my horizons, which was a delightful surprise. Who knew such treasures were available on Youtube?


Click here to be redirected to Children’s Book Insider, and/or click here for CBI’s Youtube channel where you’ll find replays all of their wonderful, informative Kidlit Distancing Socials.

And You?

Do you need silence when you work? If not, what are your listening preferences? Let me know in the comments section below.

Happy creating!!

One Response to “Studio Time”

  1. Laura Backes March 24, 2021 at 3:05 pm #

    Hi Violet,

    Thank you so much for your glowing review of our Kidlit Distancing Socials, as well as our Children’s Book Insider newsletter! I’m thrilled that we’ve made the cut of acceptable listening during your work time. 🙂 I’m impressed that you caught one live, considering the time difference. I look forward to seeing your name in the chat box on a future Kidlit Distancing Social!

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